Food for the Soul: Georges de La Tour Exhibition in Paris, 2025
Become a member: Subscribe
NTS Headlines
Headlines by Category
Headlines by Year
Solari’s Building Wealth materials are organized to inspire and support your personal strategic and financial planning.
Building Wealth
This 6-pillar curriculum teaches the basic literacy we need to be personally and financially successful and to do so in a manner in which together we evolve a culture that supports the emergence of an advanced human civilization.
Missing Money
Articles and video discussions of the $21 Trillion dollars missing from the U.S. government
Connect with the wider network of like-minded Solari subscribers using our in-house social media platform, Solari Connect.
No posts
Georges de La Tour, The Newborn Child, c. 1647-1648. Oil on canvas, 76.7 x 95.5 cm. Musée des Beaux-Arts, Rennes. Photo: © Musée des Beaux-Arts Rennes
Georges de La Tour (c. 1593-1652) was forgotten almost immediately after his death until the early 20th century, but nowadays, he is very popular. The reasons for both the forgetting and the renewed popularity are eerily similar. He painted flat surfaces and intimate settings, and his religious-themed paintings portray saints and the Holy Family as local peasants. In the context of the dramatic Baroque art of Rubens or Caravaggio and the Flemish displays of sumptuous food or busy dance scenes, La Tour’s art must have felt too simple and perhaps too inadequate for the prevailing iconography of his day. In modern times, however, his simplified brushwork and meditative mood fit well with contemporary art taste.
Related at Solari
Log in or subscribe to the Solari Report to enjoy full access to exclusive articles and features.
Already a subscriber?
