“Meaning is important, is even central. It is not only that man is adapted to the universe. The universe is adapted to man. Imagine a universe in which one or another of the fundamental dimensionless constants of physics is altered by a few percent one way or the other? Man could never come into being in such a universe. That is the central point of the anthropic principle. According to this principle, a life-giving factor lies at the centre of the whole machinery and design of the world.” ~ John A. Wheeler, Center for Theoretical Physics, University of Texas at Austin
By Catherine Austin Fitts
This week on the Solari Report, Dr. Joseph Farrell joins me to discuss his new book Microcosm and Medium: The Cosmic Implications and Agenda of Mind Control Technologies. (Book Review here)
It’s time for America to break free from its mind control trance. Step one is to understand that mind control technologies are real—and they are deeply dangerous. Step two is to see the opportunity—the creative potential that is possible when we break free.
With Microcosm and Medium, Dr. Farrell has written the best book I have read yet on the mind control being used to manipulate you and me. More than once, I had to put the book down to digest an entirely new insight. I was amazed to realize how much there was about this subject that I had not yet understood. Looking back over the descent of American politics and communities into madness, I gained new perspectives on how it happened.
This book is invaluable to understand the world we live in and why we can, as Joseph so often says, “own the culture.” Indeed, I now understand what he means and what to do. Joseph provides the kind of intelligence that infuses personal power that no one can take away from you.
In Let’s Go to the Movies, I will review the documentary Horse Boy. The partial healing of a young autistic boy by a Mongolian healer who manipulates his electromagnetic field offers intriguing insights into how our “minds” work. This is insight that can help you free your mind as well.
The people in our governance structure that are delivering autism to our children and inequality to our economy are the very same that are delivering mind control to us through our smartphones and media. Their knowledge of physics and the deepest nature of our intelligence is profound. However, we can gain the same knowledge, and what they can “dumb down,” we can “smarten up.”
In Money & Markets this week I will discuss the latest in financial and geopolitical news from Scotland where I will be for a week before returning to the United States after two months in Europe. Subscribers can post your questions and recommended stories here.
Talk to you Thursday!
Buy the Book!
Microcosm and Medium: The Cosmological Implications and Agenda of Mind Control
Related Solari Reports:
Future Science: The Wave Genome – Quantum Holography of DNA with Ulrike Granögger
We are All Targeted Individuals Now with Dr. Katherine Horton
Control 101
Entrainment Technology, Subliminal Programming and Financial Manipulation
The Layman’s Guide to Mind Control
Dr. William Tiller: Scientific Support for the Power of Intention
Exit the Matrix with Jon Rappoport
Related Documentaries:
Truthstream Media: The Minds of Men
Related Reading:
Best Books for 2018 (includes The Field and Secret Don’t Tell)
Hamilton Securities Litigation
Book Review: Mark M. Rich on the Nuts & Bolts of Tyranny
Book Review: Guinea Pigs – Technologies of Control
Related Websites:
I don’t see the music credits. The music makes such a nice frame to the audio interview.
About Picasso’s abilities:
If you do a search on “early Picasso,” you may find examples of his talents. He had an academic training in art from an early age. Many abstract artists began with thorough training in academic drawing and painting. (Pollack was not one of them, according to his bio.)
10 Early Picasso Works You Should Know – DailyArtMagazine.com
http://www.dailyartmagazine.com/10-early-picasso-works-know/
The college I went to in the late ‘50s prepared us with quite academic training, while exposing us to art history, prehistoric art and a history class in modern art which included learning about Monet, van Gogh, Picasso, Dali, Braque, and the latest at that time – the abstract expressionists and Pollack. We were free to experiment.
Addi J.
To me it is essential to have complete freedom to experiment. Problem is when some people are free to print money and massively promote and fund a particular genre for a particular reason. I love early Picasso.
About Picasso’s abilities:
If you do a search on “early Picasso,” you may find examples of his talents. He had an academic training in art from an early age. Many abstract artists began with thorough training in academic drawing and painting. (Pollack was not one of them, according to his bio.)
10 Early Picasso Works You Should Know – DailyArtMagazine.com
http://www.dailyartmagazine.com/10-early-picasso-works-know/
The college I went to in the late ‘50s prepared us with quite academic training, while exposing us to art history, prehistoric art and a history class in modern art which included learning about Monet, van Gogh, Picasso, Dali, Braque, and the latest at that time – the abstract expressionists and Pollack. We were free to experiment.
Addi J.
To me it is essential to have complete freedom to experiment. Problem is when some people are free to print money and massively promote and fund a particular genre for a particular reason. I love early Picasso.
This was another fascinating, thought-provoking chat with Dr. Farrell. Am anxiously waiting for the book to arrive. My late mom, a classical pianist trained in Juilliard in the early ’50s, was exposed to the modernist composers Alban Berg and Arnold Schoenberg in her classes for her Masters in Music. She bought the LPs for class, but she found the music truly unlistenable, and we never actually played them on our phonograph when we were kids. I have tried “appreciating” them on my own in recent years, watched an opera or two and lending an ear to their music- but for the life of me, I shall remain a “Philistine” as far as these modernists are concerned. The twelve-tone system is based on nothing natural- all just totally made up by its proponents. Hence the disorienting effect on listeners. What’s interesting is that early Schoenberg is also wholly palatable stuff, just like early Picasso. Then there’s the ultimate mockery (to me) that is John Cage, and his post-modernist “composition” called “4′ 33”- just 4-1/2 minutes of complete silence. You also have news stories of people in modern art museums mistaking an “installation” for trash, and some dupes photographing a pair of eyeglasses on the floor.
Thank you so much for all these wonderful discussions! So glad to “meet” some people who are grounded in reality and unafraid to tell the whole truth about this unhealthful silliness.
Correction- not the 12-tone, meant the ATONAL system of the modernists is completely made-up and not based on any natural harmonies or frequencies.
Good reading: https://ask.audio/articles/music-theory-exploring-the-432hz-tuning-debate
Thanks. Still trying to understand…more reading to do, so I appreciate these links.
This was another fascinating, thought-provoking chat with Dr. Farrell. Am anxiously waiting for the book to arrive. My late mom, a classical pianist trained in Juilliard in the early ’50s, was exposed to the modernist composers Alban Berg and Arnold Schoenberg in her classes for her Masters in Music. She bought the LPs for class, but she found the music truly unlistenable, and we never actually played them on our phonograph when we were kids. I have tried “appreciating” them on my own in recent years, watched an opera or two and lending an ear to their music- but for the life of me, I shall remain a “Philistine” as far as these modernists are concerned. The twelve-tone system is based on nothing natural- all just totally made up by its proponents. Hence the disorienting effect on listeners. What’s interesting is that early Schoenberg is also wholly palatable stuff, just like early Picasso. Then there’s the ultimate mockery (to me) that is John Cage, and his post-modernist “composition” called “4′ 33”- just 4-1/2 minutes of complete silence. You also have news stories of people in modern art museums mistaking an “installation” for trash, and some dupes photographing a pair of eyeglasses on the floor.
Thank you so much for all these wonderful discussions! So glad to “meet” some people who are grounded in reality and unafraid to tell the whole truth about this unhealthful silliness.
Correction- not the 12-tone, meant the ATONAL system of the modernists is completely made-up and not based on any natural harmonies or frequencies.
Good reading: https://ask.audio/articles/music-theory-exploring-the-432hz-tuning-debate
Thanks. Still trying to understand…more reading to do, so I appreciate these links.
Elites use humans as paint brushes to design their world.
In defense of Jackson Pollock some of his works using the paint drip technique creating an undisciplined quality is IMO like looking at nature. Look at a tree, the branches and leaves are unpredictable where they grow on a tree trunk and yet there is order. Or they are like looking at the stars in the heavens, it looks random, but there is order.
Would of Jackson Pollock be famous even in his lifetime with the many types of support from Peggy Guggenheim? That is a good question.
Elites use humans as paint brushes to design their world.
In defense of Jackson Pollock some of his works using the paint drip technique creating an undisciplined quality is IMO like looking at nature. Look at a tree, the branches and leaves are unpredictable where they grow on a tree trunk and yet there is order. Or they are like looking at the stars in the heavens, it looks random, but there is order.
Would of Jackson Pollock be famous even in his lifetime with the many types of support from Peggy Guggenheim? That is a good question.