Food for the Soul: Disclosure Day

Claire V.
June 24, 2026

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Food for the Soul: Disclosure Day

By Nina Heyn

June 24, 2026

Food for the Soul: Disclosure Day

By Nina Heyn

The latest film from Steven Spielberg, Disclosure Day, brings forward his trademark theme of alien visitations. He explores the issue through a race between scientist Daniel Keller (Josh O’Connor), a whistleblower who stole archival footage of the U.S. government’s encounters with extraterrestrials (starting from the Roswell incident in 1947), and the said government (or rather a Private Military Unit in the style of infamous Blackwater), which wants to recover the tapes before Keller can disclose them to the world.

Keller is aided by Margaret Fairchild (Emily Blunt, in a brilliant, nuanced performance), a weather report presenter whose manic energy is soon explained as a compelling need to connect with and help Keller. Margaret feels an inexplicable compunction to locate Keller—a drive reminiscent of that of Roy Neary, the character played by Richard Dreyfuss in the masterpiece of the genre, Close Encounters of the Third Kind—and it has the same source: alien telepathic messages that have been directing Margaret’s mind since her childhood ET encounters. Keller and Margaret are pursued by the sinister Wardex Corporation, which is using alien technology to detect locations and manipulate the minds of people around Keller.

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11 Comments

  1. Nicely written article Nina. I rather re-read JFP’s Roswell and the Reich then watch an overpriced car chase movie with an sauer moldy stale story poored on top.

    Cinema prices are so expensive versus overall quality even for a Spielberg movie. The west has sacrificed magic to such a degree that I enjoy the articles + debates about them more, and maybe as a freebee watch.

    1. It will get to freebie eventually. Alas in the US the theatres have become so unattractive that watching at home is far more preferable. I am still wondering why Spielberg chose to do this one now.

      1. I haven’t seen it yet but have heard very mixed opinions, from great and brilliant to “nothing new” and “rubbish”. I too wonder why now. It is obvious that the film is meant to accompany and modulate the discussions of “disclosure” going on in congressional hearings and through whistle-blowers, as well as sightings of unusual drones. Very hard to make out who is really blowing a whistle and who is controlled. After all, most of the men who come forward are CIA and military related.

        What bothers me most about the film is the emotional manipulation that humanity are the cruel ones and that we should learn compassion and understanding. It is the same psychology as “get vaccinated to protect others”. I see a “Desmet psy op” in it all, confusing victims and perpetrators.

        And worse still: In the film humanity is waking up to our higher mental powers (innate abilities for telepathy, remote viewing, ESP, etc.) that are activated when the ETs do mind experiments on the abducted victims!!! Is this to say that we should get our psychic gifts through invasive experiments and brain merger?

        The film teeters along the thin line of genuine spiritual awakeing and mental manipulation by MKUltra techniques, and actually tries to make these techniques “fashionable”.

        Spielberg had made an earlier series on exactly this topic, called “TAKEN” with Dakota Fanning. Makes a good watch and is available online. https://youtu.be/B0mKi2Cbs1o?list=PLXkeH6bNuCQ6ds_nTlmkpqrPKCCJgb9Ym

        1. Taken does a good job of helping you understand the mentality of the early black budget team.

      2. The Pentagon is heavily involved in Hollywood. They edit scripts to their liking in exchange for filmmakers to get to use their equipment to make movies. E.g. military equipment, explosions, etc.

        This film reads like predictive programming – preparing the public for acceptance, whether of a false flag or of actual revelations.

        1. Yes, Pentagon has been involved from the beginning – not only encouraging some things but stopping others. Very heavy hand.

        2. The wood of the holly plant was used by Druids to cast spells. Kinda like how “Hollywood” functions today.

  2. I expected more from Spielberg. If anything, he is an excellent director. This movie was quite mediocre, cheapened further with B-movie style car chases and body double stunts. The ending was predictable too: the ‘good’ aliens are to give us a message how we, the humanity’, are on the brink of extinction and I assume the implication was that we should listen to the aliens and their wisdom? The religious messaging in the movie was also supposed to be ‘life-changing’ for us (as advertised in some entertainment publications), that we are not the only God’s creation, which anyone who read Genesis would know. In addition, the story seemed to be disjointed and I started to lose interest after 15 minutes into the movie.

  3. This is just Spielberg’s contribution to, because a prep-step for, the ‘Project Blue Beam’ psy-op, as part of Hollywood’s predictive programming function. I expected this to be pointed out in your/Nina’s review, since this is Solari where these things get called out and exposed. Canadian journalist Serge Monast exposed this spy-op in his book about it, and paid for it with his life.

    Given that this psy-op is one of the next major deceptive steps Mr Global has planned and is moving on, see also Trump’s recent sudden ‘disclosure’ narrative and actions, I call on Catherine/Solari to do a feature about this, so that the subscriber base gets up to speed with it and spreads the word.

    Here is a link to Serge Monast’s book:
    https://www.amazon.com/-/es/Project-Blue-Beam-Serge-Monast/dp/8419006637

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